In Uzbek poetry of the independence period, which is a legitimate part of world literature, special attention is paid to the generalization of scientific theoretical views on the creative worldview and creative philosophy of the socio historical period, the artistic perception of reality in poetry and the study of artistic realization. The intensification of the desire for the deep artistic development of the human spiritual world in the poetry of the independence period is associated with the renewal of the period, the historical environment and the artistic thinking of the creators themselves. The harmony of poetry and literary-aesthetic views is a direct result of the synthesis of the principles of creative phenomenon, personality, perception of the world, which is reflected in the author's "I". Image poetics plays an important role in revealing the creative concept and uniting it into a common denominator. The perfection of the product of artistic thinking as a synthesized system is determined by the level of creative thinking and talent. The work of Amir Khudoiberdi is one of such events in the history of national artistic thought, and in the works of the poet created in different genres, he expresses the life, dreams and will of the people in different socio-historical periods. The poet's tendency to create a holistic artistic history of the Uzbek people in the twentieth century is explained by the vast opportunities provided by independence, the end of ideological monopoly, the restoration of national values, the renewal of literary and aesthetic views, the translation of world literature into Uzbek. The transition from the depiction of things to the depiction of ideas has changed the content of artistic creation, while enriching the formal, semantic scale of artistic research.
Close acquaintance with world poetry has long served as one of the important factors in the renewal of our national literature, separated from its spiritual sources- religious and mystical literature, classical and modern literature. The content of the themes of emotional literature is characterized by a focus on the person, not directly on reality. The synthesis of world literary traditions can be seen in the works of Fakhriyor, Ulugbek Hamdam, Bahrom Ruzimuhammad, Farida Afroz, Nodira Afokova, Zebo Mirzaeva, Khosiyat Rustamova, Gozal Begim. Amir Khudoiberdi is also one of the poets of this literary generation who has his own creative credo and works in various genres. Any national literature manifests itself as a systematic, evolving stable phenomenon only in the harmony of different ideologies, styles, views, approaches, ideas, and even contradictions. Only then can it be a true metaphorical representation of being. Amir Khudoiberdi is one of the new generation of artists who lived in a complex and controversial period and saw and understood the subjective approaches to the literature of the Soviet era. A comprehensive scientific study of the creative style, individuality and mastery in the poetry of the independence period on the example of the work of a poet, the generalization of scientific and theoretical views on the poetry of this period gives important conclusions, this scientific research is the product of such a necessary need. In Uzbek literature, the works of Amir Khudoiberdi have not yet been comprehensively studied. The study of the poet’s work is also important in determining the influence, position, and place of local artists in literature. Also, the issue of art and literature, which is one of the means of spiritual and educational environment, education and their formation in our country, has always been in the forefront. Therefore, as the President of Uzbekistan Sh.M.Mirziyoev said: “...attention to literature and art, culture is first of all attention to our people, attention to our future, as our great poet Cholpon said, we have no right to forget that literature, culture and nation can live ”. This fact also determines the relevance of the topic.
Accordingly, this study is based on the Decree of the President of the Republic of Uzbekistan dated February 7, 2017 No. PF-4947 "On the Strategy for further development of the Republic of Uzbekistan", dated September 13, 2017 No. PQ- 3271 "Development of the system of publishing and distribution of books. to a certain extent in the implementation of the tasks set out in the Resolution "On a comprehensive program of measures to improve and promote the culture of reading and reading" and other regulations related to this activity.
Creativity is a complex area that is explored and discussed from many different perspectives. This is one of the reasons why there is no universally accepted definition, and we must always know from what point of view we define creativity. A creative approach to language teaching is an approach that presents creativity as one of our many innate skills, a talent that every person and every language learner possesses. This approach is based on the idea that we can all be creative under certain conditions; that we all have many different forms and levels of creativity, and that it is the teacher's job to stimulate the creativity of students. This is why this article presents theories on this topic.
В настоящее время почти в 50 странах мира ведут исследовательскую работу ученые-тимуроведы. Издается множество книг о времени Тимура и Тимуридов. В Узбекистане также были ученые, которые стремились реально, объективно осветить тот период. В Германии в музее города Потсдам в честь Амира Темура организован «Отдел Азии». Он называется отделом Амира Тимура.
In this article, the eighth exhibition hall of the Termez Archaeological Museum is dedicated to the culture of Termez and Chaganiyan during the period of Amir Temur and the Timurids. In this exhibition hall, there are models of Kyrgyz, Kokildar ota, Sultan Saodat complex, glazed household items, map of Amir Temur's state, copper coins, chess pieces and military equipment are being demonstrated. The material resources displayed in exhibitions of this hall, covering the period from 1370 to the beginning of the 16th century, show that the applied art of Termez and Chaganiyan developed in harmony with the culture of other central cities of Amir Temur's state.
The article highlights the era of Amir Temur, which occupied an important place in the history of Uzbek statehood, issues of science and education during this period, Amir Temur's recommendations on military art and public administration, namely, the issues of Timur's structure.
The article provides historical information about a shopping street closed from above, built by Amir Temur in Samarkand in 1404, but not survived to this day. This street started from the square in front of the Bibikhanum cathedral mosque to the Chorsu building, which is located next to the Registan ensemble. This street at one time beat the first shopping street closed from above in Movarounnahr. Then ShohrukhMirzo built such a street in Girat. This article analyzes the historical materials we have collected and the work performed for the graphic reconstruction of the architecture of the shopping street of Amir Temur in Samarkand that has not survived to us.
This article analyzes the role livestock-breeding in the economic life of the Ferghana Valley during the period of Amir Temur and the Timurids based on historical sources. Also, some feedbacks were made about the importance of hunting in the valley region in providing the army with food.
The article explains that during the time of Amir Temur, he paid attention to the tax system, agriculture and landscaping, tried to establish the criteria of justice in his country, and there was also an increase in fine arts, miniature art and monumental painting in the country. on examples from the “Laws of Temur”.
The paper aims to explore the comparative points between the two poets of India i.e. Amir Khusraw and Mirza Abdul Qadir Bedil, the former lived during Saltanat period and the latter in the Timurid. The two greatest Persian poets of India,Amir Khusraw and Bedil, who never visited Iran or had any genealogical connection with.Both born and brought up entirely in the Indian socio-cultural environment and were ethnically Turks and having no literary background. Besides, that four centuries separate Amir Khusraw and Bedil, but still we find striking similarities between the two. Bedil unlike Khusraw was never attached to any Amir or King, but he too, closely observed and was well aware of the changing socio-political situation of his period. Both were Sufis by heart and their poetry reveals sufistic mysteries. Besides, as poet too their creative perusal and their aspiration to comprehend the classical tradition of great masters of the past for further innovations appear identical. This is the reason, why both the poets had greatest impact on the literary traditions of the following periods. The paper also looks into the general characteristics of the Persian poetry i.e. spirituality, liberalism and tolerance, ethics and sorrow.
The article considers the possibilities of systems analysis in the solution of problems of increasing integrity system named “The importance of historical and cultural heritage of the epoch of Amir Temur and Temurids in the history of Uzbekistan and world history”. The working model is chosen for the systematic analysis